Primal Spillane Read online

  Primal Spillane

  Early Stories 1941-1942

  By Mickey Spillane

  Edited by

  Max Allan Collins

  and Lynn F. Myers

  Bold Venture Press

  www.boldventurepress.com

  Contents

  Copyrights / Credits

  Dedication

  Introduction: The Happiest Days of My Life

  Trouble — Come and Get It!

  A Case of Poison Ivy

  Clams Make the Man

  Creature of the Deep

  Fresh Meat for a Raider

  The Curse of Tut Ken Amen

  Flight Over Tokyo

  Devil Cat

  Jinx Heap

  Jap Trap

  Killer’s Return

  The Man in the Moon

  Scram, Bugs

  The Sea Serpent

  The Ship in the Desert

  Undersea Champion

  Woe is Me

  Spook Ship

  Terror in the Grass

  Tight Spot

  Lumps of Death

  Satan Himself

  Sky Busters

  Last Ride

  The Sea of Grassy Death

  The Secret of the Wreck

  The Woim Toins

  Woodman’s Test

  Fast Thinking

  Death in the Sea

  Phony Fish

  Goon With the Wind

  Fighting Mad

  No Prisoners

  Ill Wind

  Spy Paper

  Target Terrors

  The Mouse Fights Back

  Shot in the Dark

  Introduction: A Turn of the Tide

  A Turn of the Tide

  Author Credits

  Comic Book Fillers

  A Tip of the Porkpie Hat

  Connect with Bold Venture Press

  Credits / Copyrights

  Max Allan Collins

  Lynn F. Myers, Jr.

  editors

  Audrey Parente

  assistant editor

  Rich Harvey

  designer / publisher

  Printing history

  Gryphon Books, December 2003

  Bold Venture Press, September 2018

  Published under license from Mickey Spillane Publications, LLC. All Rights Reserved.

  All stories ©1941 and ©1942 Mickey Spillane. Copyrights renewed ©1969 and ©1970 and assigned to Mickey Spillane Publications, LLC.

  ISBN-13: 978-1721741779 / Softcover $19.95 / Hardcover $39.95 / ebook $4.95 USA

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means without express permission of the publisher and author. All persons, places and events in this book are fictitious. Any resemblance to actual persons, places or events is purely coincidental.

  Published by Bold Venture Press / www.boldventurepress.com / Available in print.

  License Notes

  This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your enjoyment only, please purchase your own copy.

  Dedication

  To

  Jane Rogers Spillane

  who proves the third time

  really is the charm

  The Happiest Days of My Life

  Introduction

  by Max Allan Collins

  and Lynn F. Meyers, Jr.

  The winter of 1940 was a rough time for twenty-two-year-old aspiring writer, Frank Morrison Spillane. After giving up college at the end of his second year due to money problems, Spillane went to work in a department store—the bargain basement, selling neckties. What was a guy to do? The Great Depression may have been winding down, but jobs were still hard to come by, and the front pages of newspapers shouted stories of the war in Europe, now in its second year. Spillane knew that most likely he, and all his buddies, would be in combat before long.

  Till then, a guy had to eat.

  But selling ties wasn’t Mickey Spillane’s preferred mode of turning a buck. Storytelling was his line, ever since he “scared the hell” out of other kids, around the campfire on the beach where he was a lifeguard.

  Spillane had written professionally even before college; and he wanted to get back to that now — preferably as a staff writer with some publication or other, where he could develop his writing skills further. A pal of Spillane’s — Ray Gill — had already landed at Funnies Inc., a comic book “packager.” The company rounded up writers, artists, colorists, and letterers to feed the publishers of a new craze — comic books.

  Early comic books had been strictly reprints of comic strips, but such early features as Superman and Batman uncovered a new market for original material, particularly adventure stories for boys.

  Funnies Inc. did most of the work for Marvel and several independent publishers, and — because of the volume of work — the firm was always looking for experienced help. With characters like The Human Torch and Submariner, wild pulp-style heroes, Marvel was a perfect market for the future creator of Mike Hammer, and Funnies Inc. made an ideal home base.

  Spillane, who had already sold stories under house names for both the pulps and slicks, was interviewed for the job of associate editor at Funnies, Inc. — and got it, rising overnight from the department store’s bargain basement to the new industry’s ground floor. For nearly the next two years, Spillane edited and wrote various comic books, including the aforementioned Human Torch and Submariner, as well as Blue Bolt and many others.

  Part of his new job was to supply text fillers to appease a postal regulation that required comic publications to include text stories to qualify for a cheap mailing rate. During his editing tenure, Spillane knocked down at least fifty of these text stories, featuring a variety of protagonists — young boys, detectives, aviators, and naval officers — in many genres—adventure, science fiction, crime, humor, horror, and mystery.

  Several stories prefigure his later books for juveniles. All reveal a young writer blessed with boundless imagination and a vivid way with language.

  Many of these stories — written before the attack on Pearl Harbor on December 7, 1941 — involve Japanese and German villains. Comics were at the forefront of the home front propaganda campaign throughout the war, but Spillane got a jump on that effort in his comics work, many months before President Roosevelt and Congress officially signed the declaration of war. We present these patriotic yarns in their original, now politically incorrect form.

  This collection includes the “fillers” where Spillane actually signed his name to these short and terse tales; we have not included others, even when stylistic earmarks indicated Spillane as the probable author. The byline was important to the young writer, who already had a healthy ego, and dreamed of seeing his name on book covers … and on fat royalty checks.

  Most artists and writers at Funnies Inc. had to slip their signatures into buildings, and street signs on comic book pages; but the lucky writers who did text stories were often allowed to put a by-line on their work. It’s a small irony that talented artists and writers creating the comics that were the main attraction had to bear the brunt of anonymity, when the writers who did the “filler” text pages were allowed to get a credit.

  “Who ever heard of Mickey Spillane, anyway?” Spillane asked sixty years after the fact.

  Less than ten years after Mickey Spillane wrote his last comic book filler, he was a household name — the most recognizable American mystery writer of the twentieth century, and one of the best-known and highest-selling of all writer
s of popular fiction. Spillane — who outsold Ernest Hemingway and Erskine Caldwell, among many others — remained a comics writer, even in prose form … which was one of the secrets of his success. He knew how to write visually and viscerally, and could connect with a mainstream audience.

  For his first novel, he adapted his unsold comic book character Mike Danger, changing Danger to Hammer, and wrote the yarn that launched a major career. I, the Jury is considered a classic of the form even by many Spillane detractors.

  Here — collected in a new expanded edition — are the earliest short stories bylined Mickey Spillane … all written between 1941 and 1942. Spillane’s comic book career was interrupted by military service (Spillane signed up the day after Pearl Harbor), and after the war, when the fighter pilot returned to civilian life, he found Funnies Inc. gone, most artists and writers now sub-contracting work directly for the comic book publishers.

  Reflecting back on those hectic times, Spillane said: “They were the happiest days of my life. I could walk anywhere and nobody knew who I was.”

  Now you have the opportunity to watch a major mystery-fiction talent find his voice and develop his powerful storytelling skills, in a most unlikely venue — as “filler” material in comic books. The combined cost of the rare comic books in which these text pieces appeared today would be more than that of a new Cadillac; but these short tales provide their own memorable rides.

  Meet Mickey Spillane, in some of his earliest published work. He was already a pro and a terrific storyteller. As Mickey would say, “Have fun!”

  Max Allan Collins

  Muscatine, Iowa

  Lynn F. Myers, Jr.

  Carlisle, Pennsylvania

  Note: This is an expanded edition of a collection originally published in 2006. It contains politically incorrect language of its era, unapologetically.

  Trouble — Come and Get It!

  DICK BAKER was new to the detective game, but he had strong ideas on the subject that were not to be denied. The chief had called him in for something important, he knew; and as he waited in the outer office he kept hoping that it would be exciting. Not every fellow just out of college had the opportunity to dash headlong into adventure!

  Hawley, the head man of Eastern Detective Inc., came out and viewed the husky young man before him. “Dick, you’re going out as special messenger for the Conway Bank.”

  Dick grinned eagerly. “You mean that I’m gonna carry the bonds?”

  The chief shook his head.

  “No. You are going to carry an empty briefcase. We expect this shipment will be held up like the rest, and we’re sending out two messengers, one with the stuff, the other a decoy — and you’re it!”

  “Maybe I’ll be able to capture them, huh?”

  “Wrong again. You’ll leave the shooting up to the police. An empty case isn’t that important. Likely as not the crooks will snatch the bag from your hand and make a getaway. Then the other messenger will get through without trouble.” Dick looked dismayed. Ever since he had been with the company he had wanted to get his teeth in something big to prove that he was a detective, and all he got was a little job.

  “Aw, chief,” he said, “can’t I even take a poke at ’em?”

  Hawley smiled at his young assistant.

  “No. Not even a poke. Just stand there and look scared.”

  “How can I look scared if I’m not scared? For four months I’ve been practicing just how I’d handle a situation of this sort, and what happens — I can’t even take a poke at them! Oh well, maybe they’ll poke me first and I won’t be able to control myself!”

  “You’ll control yourself, or else!”

  That night Dick sat alone in his room and thought the thing out. Everyone expected the bag to be snatched, but maybe they would take him with it. There was a way to make that happen. Every messenger had his case handcuffed to his wrist. Now, if he could do that to the dummy case, they would have no choice but to drag him along with it. It was worth trying, but he would have to be prepared. This would be where his favorite theory would come in! Smiling grimly, he set about his task.

  The wind screaming around corners whipped his coat about him. Dick pulled his collar up and cast a look down the street. It was empty. Stepping out of the doorway, he started for the subway, the newspaper-filled briefcase shackled to his wrist. It had been a tricky thing to get the cuffs, but he’d managed. He thought of the other messenger back in the office, giving him an hour’s start before he left. That poor guy wouldn’t have any fun!

  No one was in the station at that hour except a couple of laborers. Dick stepped into the car and sat down. So far nothing was out of order — in fact, it was too quiet. He got off at his stop and took the stairs two at a time … On the street he whistled for a cab, and then it happened! Something hard pressed into his back and a hand grabbed for the briefcase.

  “It’s chained to him,” a voice sneered.

  Dick chanced a look over his shoulder. They were the two laborers!

  “Okeh,” the other one said, “we’ll take him along with it and cut it off his hand. We can dump him in the river later.”

  Dick felt cold chills run along his spine at this. Maybe his idea wasn’t so good after all. But it was too late now! The cab pulled up and they all got in. The mug with the gun looked at Dick.

  “One word outa you and you’ll get bumped right here.”

  Dick had no intention of saying anything after that. They rode in silence to a deserted uptown section, then changed cabs to an even more foreboding looking district. They were an unusual looking trio, but no one seemed to notice. At that hour of the morning the streets were still deserted. They got out in front of an old warehouse, and Dick was prodded inside. Down a flight of stairs they went into the basement. So this was where the gang hung out! From the looks of the place it was a small fortress. The gun nudged, and Dick stepped into the room.

  NEVER had he seen such an evil-looking person. The crook sat behind a desk, a devilish glitter in his eyes. “Frisk him!” Expert hands went over his body. The guy pulled his gun out of a side pocket.

  “He’s clean now. How’re ya gonna get the case off his hand?”

  “Get a knife, I’ll show you.”

  For one wild instant Dick thought his hand would come off, but the gangster cut around the handle and it dropped free.

  “Now tie this guy up. Later we can give him the works. Right now we have to duck the bonds.”

  A rope went around him, tying his hands behind him and his feet together. Then he was kicked into a corner.

  Dick tried hard to conceal a smile, but the corners of his mouth twitched anyway. He had expected just this standard method of rope tying. A little rat-faced guy caught the smirk.

  “Think it’s funny, eh? You won’t when we get done with ya! An’ don’t bother hollering for help, either. This place is soundproof!”

  The crook went back to the rest and began filling a leather bag with bank notes. Finally, each one of the gang grabbed a grip and filed out.

  When the last man left, Dick got busy. Behind him, sewed into his pants under his belt, was a razor blade. He had planted it there so that if his hands were tied behind him he could get it out and cut his bonds. He worked it free and sawed at the ropes. In no time he had them off and stretched himself. Then he pulled up the leg of his pants. Strapped to his leg was a small .25 automatic. Without wasting time he crept to the door and looked about. Good. The crooks, believing him helpless, left no guard.

  There was a light coming from under the door at the top of the stairs, and a mumble of voices inside pointed out where the mob was gathered. Everything was coming along fine. In his pocket was an assortment of gadgets. Dick took out a long piece of cord. He tied this to a round ball on the end of a piece of wire, and thumb-tacked the other end to the door. When he pulled the string this little gadget would rap on the panel. He smiled to himself. This was a hangover from his old Halloween tricks.

  Silently he made his wa
y to the window, unraveling the string behind him. There was a ledge outside, and he stood on that. The slightest noise now and he would be caught! He inched forward, until minutes later he was in front of the office window. By crouching down he could see under the shade, and he almost shouted with glee. Seated inside was the whole crew, pawing over a bundle of bills and bonds gathered in other robberies!

  NOW was the time. Dick pulled on the string. Every head turned, startled. Guns came out fast. The crooks must have had a prearranged signal, and this wasn’t it. They exchanged anxious glances and slid towards the door, ready to shoot. The leader raised his gun.

  “Who is it?”

  Dick yanked on the string again. They were really jittery inside. A volley of shots blasted through the door, ripping a hole in the panel big enough to stick an apple through. He gave the string a couple more tugs, then, with a solid yank, pulled the rapper off the door.

  They were all facing the door expecting a charge from outside. Dick worked his fingers under the window, and it moved up noiselessly. He stepped in, gun leveled at the backs of the gang. “O.K., boys, drop the cannons.”

  There was an amazed gasp, and guns dropped to the floor. The leader turned.

  “You! How did you get here?”

  “Flew. Now get your hands up—high!”

  Someone made a quick move and Dick half turned. That was the last he saw, for a vase caught him in the head and he dropped.

  When he came to he was tied even tighter than before. In front of him with a gun out was a guard, otherwise the room was empty. A short guy went past the door with a sack. They were getting ready to leave town: it was now or never, and he was prepared!

  SLOWLY he raised his leg until it pointed at the guard. His foot pointed out and a finger of flame spat from his pants leg. The guard doubled and fell over. His hand went to the razor blade, snatched it out and cut the ropes. Feet were dashing up the stairs. Dick scooped up the guard’s gun and ran to the corridor.

  Near by a closet door stood open, and he jumped in. As the first guy went past a clubbed gun-butt clipped him behind the ear, and he went into the closet. The same thing happened to the next three. He had them all in there but one — the leader! They lay colder than mackerel, piled up like potato sacks. They’d be out a few hours, at least. Dick stuck his head out. Deserted.